What Strings Did Dimebag Use
Dimebag mean solar day: classic interview with Dimebag Darrell, July 1994
Dimebag day (opens in new tab) : To mark the 15th anniversary of Dimebag Darrell'southward passing, we're revisiting classic interviews to gloat his legacy
Integrity and a fearsome heaviness are what catapulted Dallas band Pantera to cult metallic status.
Their influential axeman, Dimebag Darrell, spoke most his influences and music in this 1994 interview with Guitarist magazine.
How did you lot beginning beginning out in music?
"I used to skip school and paint my face up with Ace Frehley Kiss make-up. My Dad got me my start guitar and I so started more often than not dicking around with it, learned how to brand a barre chord, discovered feedback and that was the end of information technology. No formal lessons or preparation or shit, only listening to records and picking up licks and stuff.
"My heroes were Eddie Van Halen - peculiarly later Van Halen I, II, III, and 4 - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
"Only it took us a while to get our chemistry together when nosotros were doing our own thing and, err, that's how Pantera got started. Pantera is the only ring I've ever been in, and at the start we used to play covers to brand a living. Man, we played the clubs from 7, viii years, and yeah, I've played every fucking Van Halen, Atomic number 26 Maiden, Ozzy, Metallica vocal under the sun! But it was very expert grooming."
A band, of course, is invariably merely equally good as its atomic number 82 singer and in Pantera'south example, Phil Anselmo is something of a one-off.
"Phil was in a band in New Orleans doing basically the same thing as we were - playing covers but wanting to go in a heavier direction. We finally heard about Phil and he heard about u.s.a., we pulled him in and we jammed for two and a half hours and it was not bad!
"He but clicked, Phil moved down to Texas and we got stuck in the clubs man. We were trying to get our ain shit together, our own sound and style, you lot know? Later nigh three years, we landed our record contract."
Information technology is popularly assumed that Texas boasts a blues social club on every corner, and so it must have been difficult for a struggling metal outfit to gain an audience.
"Yep, blues is mainly what Texas is known for and I empathize that. But we were into what nosotros were into, you know? And nosotros made our audience. There'due south a metal scene in Texas likewise."
That'southward enough history, allow's talk hardware - choose your weapon!
"I've ever played Dean Guitars, man. I got a Dean catalogue when I was real young - I don't know, sixteen or 17 years onetime, something like that - and I said, I desire that guitar, that'due south the ane, that's the fucking shit correct there!
"Then I went out and played one and I said, 'That's definitely the guitar'. And I got my starting time i in 1978 or '79, I believe. Anyway, I've played them ever since.
"I got myself a Pignose amp and a Big Muff fuzz and I was ready to rip. Now I'1000 using Randall amps; solid-state, not tube. I got a Burman PQ4 EQ, MXR six-band EQ, a Rocktron Hush unit and that's pretty much my rig."
A lot of guitarists would similar to know how to get your guitar sound.
"Tell 'em to the get their own sound!" (Laughs)
Practice you whack out some of the mid-range of your guitar betoken in the mode of many a mega-thrash metal doyen?
"Yeah, it gets scooped out."
And what about the main rails of Far Across Driven; Becoming?
"Vinnie had this existent rad drum lick, virtually similar a fill-in lick that you practice one time in a song, but he just keeps going on at information technology. I was trying to cut a riff to fit that and I was going for something erratic so I used a DigiTech Whammy pedal. I was hitting a certain chord and hopping on the pedal to go a bleat out of it."
What about the filling out of the guitar sound on record. Is overdubbing a viable solution?
"No, if you listen to the tape there is one guitar that's doubled. To get my audio in the studio I double guitar tracks and when information technology gets to the atomic number 82 parts, the rhythm drops out, simply like it's live. I'grand very witting of that.
"I make sure I'grand not coming up with something that I can't reproduce alive. There may be ane or ii moments on the record where the rhythm guitar is playing something else, merely for 99 percent of the record it'south existent - straight out just like I'd do it live - just like an erstwhile Van Halen tape! And that's what they sounded like alive as well!"
Is at that place a particular high spot on Far Beyond Driven which curls up Dimes'south toes?
"Wherever the needle drops! I like it all from offset to end. I couldn't pick a track right now."
What near the solo on Shedding Peel? A bluesier edge than usual, we think...
"Oh aye? That'due south cool. I could purchase that. Some of the licks are more bluesy on that solo."
And the Blackness Sabbath cover, Planet Caravan: a major influence on Pantera?
"Absolutely! How that rails came virtually was that we were going to do a rails for the Black Sabbath tribute album that is coming out, just we cut the track and there was this conflict of interests between labels and we weren't able to put the song on the tribute album.
"Nosotros liked the way it turned out and then we put information technology on our album. We didn't want to do the aforementioned songs that everyone else does. Anybody covers Sabbath. That's why that song was picked. We didn't desire to do Iron Human or something like that because it'south been done."
The guitar work on Planet Caravan sounds acoustic, in an electric kind of manner, simply on the other manus...
"That's because I used both. In that location are two audio-visual tracks and two electric tracks."
An acoustic guitar? In Pantera?
"Information technology wasn't mine. It was just whatever was lying effectually, man."
And then we can telephone call off any likelihood of a Pantera 'unplugged' in the about time to come?
"Absolutely!"
What estimate strings did y'all apply?
"We were experimenting and I retrieve I moved up to a 0.46 on the big string. As for tuning, on some of the tracks we used regular tuning, simply on others the whole guitar is tuned downward to D. So now you know."
Finally, practise you have whatsoever advice for aspiring young guitarists?
"Find someone who tin can jam on the skins, link upwards with them and rip out! Sit in your room but similar I did and listen to the records of all the guys who are your heroes, learn their licks, learn all you can about it.
"Find someone you can jam with. That'southward a big bargain. When y'all play with someone else, you gotta work together to get the thing started and in time, working and in the groove."
What Strings Did Dimebag Use,
Source: https://www.musicradar.com/news/guitars/classic-guitar-interview-dimebag-darrell-july-1994-534866
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